FREE READ Ð INSTANTPAYDAYLOANSONLINETN.CO.UK ò Lidia YuknavitchTheir art than themselves but they are
also oversexed in a selfish sort of way And though the horror of The Girl s lifeoversexed in a selfish sort of way And though the horror of The Girl s life treated as art in the story in a way that is clearly supposed to be social commentary it still felt like Luknavitch was doing the same
thingfor those doing readers advisory major red flagsthose doing readers advisory major red flags graphic sex and violence both involving way bodily fluid than I want to read about as well as lots of language Yikes I admired a lot of what Yuknavitch did with this book the layering of characters the spinning of plot but I did not love it She is a formidable talent on the sentenceimagepoetic level and I could see what she was going for with the focus on the body violencesexlovelifeart but there were things that undermined the power of the book for me I felt like the graphic sex was supposed to seem transgressive but for me it felt only gratuitous And one scene if you ve read the novel the painter s paint orgy seemed utterly ridiculous Maybe I m aded But it was hard for me to make the leaps reuired for this book to feel wholly satisfying Don t get me wrong I like the challenge of the narrative and the playing with the novel form I felt the strongest parts were about the Eastern European girl and the writer The parts about the filmmaker the playwright the photographer the poet Meh I didn t care that much And the painter Please But I will say that I am very interested to read Yuknavitch s memoir The Chronology of Water I think she is intense and smart and has powerful things to say This is one of those rare books that I cannot describe only to say that it hit me at gut level Sometimes so much so that I had to set it aside as it had it s way with me It is a book about artists and their art but the characters do not have names simply the photographer the painter etc Their lives become intwined but artistry is everything The plot is one of the inner ourney and with it there can be violence The writing is exuisite raw and filled with meaning Be warned however there is sex that is graphic intense and completely creeped me outThis was an experience for me I was taken to places I ve never explored A book I will never forget I loved this book in the beginning I read an e galley of this on my kindle and as I often do I started to highlight passages that stand out for me or that get me in the gut After a few pages I realized that I had highlighted than half of what I had read The writing was gorgeous From the first page it is marked by an intensity by language that was beautiful even as it was laden with metaphors of pain and grief and the brutalities of war and deathIt s a different sort of read The characters except one and she is not named until 23 through are without names but it doesn t matter the author makes you know who they are even without knowing their names The Girl The Writer The Photographer The Widow The PoetThe "Playwright The Filmmaker the Writer s Husband I couldn t wait to see how The Girl and The Writer would "The Filmmaker the Writer s Husband I couldn t wait to see how The Girl and The Writer would I couldn t have been disappointed The direction of the book changed The Poet s sexual encounters were way over the top for me gritty and graphic a bit much And the Painter really All of this seemed so blatantly contrived and I ust didn t get I wanted it to continue to be the story of The Girl and the Writer and it ust wasn t There are so many beautiful passages here and what I thought was a beautiful story was lost for me The Kirkus review which by the way recommends this as buy now had it right for me with this comment Yuknavich is a gifted writer whose dizzying passages are often as compelling as they are grotesue But it s not a pretty story and the novel s affected musings on the nature of art gratuitous sexual excesses and casual violence may overpower the grace of its words for some readers And it did for meI ve never rated a book I didn t finish but there s always a first time and this is it I did get about 80% through and then I didn t care any I have read a few of the rave reviews but none have really convinced me to read that last 20% Maybe I m ust not a sophisticated enough reader to appreciate it I give it 2 stars for the amazing writing and the possibility that it offered in the beginningThanks to Harper Collins and Edelweiss. Iter really want Who is controlling the action And what will happen when these two worlds east and west real and virtual collideA fierce provocative and deeply affecting novel of both ideas and action that blends the tight construction of Julian Barnes’s The Sense of an Ending with the emotional power of Anthony Marra’s A Constellation of Vital Phenomena Lidia Yuknavitch’s The Small Backs of Children is a major step forward from one of our most avidly watched writer. ,
places Yes I do wonder why that scene was included as it seemed like theYes I do wonder why that scene was included as it seemed like the would have been ust fine without itThe bizarre thing is after I decided I must not go into the bad rooms with her I read a review that said it was wrong to think the author is my friend who will walk by my side It blew me away that someone would mention the very thing I had been struggling withIt s a strange little book The characters have no names they are artists who are referred to by the type of art they do There s a writer photographer poet painter filmmaker playwright and a young traumatized girl who starts the whole story in motion The way the author intertwines their lives is pure genius The plot is dreamlike and reads like a long prose poem It s not linear and it s weirdly unemotional even though there is tremendous suffering There are some alternative short endings which I liked but others may not And the final chapter was tough for me to figure out I had to reread it and I m still not totally sure I get its full significance More than anything this book is about the power of art The power of art is in the complex expression of it and here most times the artists expressions are brutal The power also lies in their using art as a way to here most times the artists expressions are brutal The power also lies in their using art as a way to their minds to accept the horror of violence and war And the book is about how art is so powerful it can make you want to live or die yet it so powerful it can also sometimes rescue youI know the graphic violence and sex complete with lots of descriptions of bodily fluids will turn off many people And some will think the language is affected Not me It s my very favorite book of 2015 If you are one of the fans check out Yuknavitch s astonishing memoir The Chronology of WaterLidia Yuknavitch has my ear my heart and my soul AmenNote to Kindle and iPad users There are some serious formatting issues in a two column chapter truncated text and pages
That Disappear Which Of Coursedisappear which of course much panic and anger I was able to make the chapter totally readable by switching to the smallest possible font Beware 4enthusiasticSTARSWow deep breath I finished this book several days ago and only now am I able to corral my thoughts harness them slow them down to the point where I can capture them in words on paper The challenge to sharing my thoughts is they incessantly changed expanded contracted twisted and turned long after absorbing the final page This book was hauntingly evocative Yeah that s the word I was looking for haunting Eerily haunting Corporeally sorrowfulI loved this book I hated this book I was repulsed and intrigued fascinated I knew exactly what was happening I was confused frustrated and lost It s an exploration of creation through art destruction by war the destruction of women It speaks to sex violence suffering A chimera of sex and violence Love and pain hurt Violence for violence to cure suffering This book involves a group of American artists and the misogynistic violence of Eastern Europe At times it was crystal clear grotesuely poignant At times I had no idea what it meant or what was happening It meant nothing and so many different things at the same time Vague as a dream disturbing as a nightmare Laced with symbolism and metaphors statements about men and war and American indifferenceFor me this book is a work of art in and of itself Literary realism abstraction and surrealism all blended together fading in and out of focus and intensity like a mural size painting at an art museum subject to interpretation in so many different waysimage error Part of me ust wants to say this wasn t the book for me But a larger part of me is saying Who the heck is this book for As advertised it is about the intersection of violence sex and art But it all felt largely gratuitous The style was this forced literary thing where all of the characters had obs instead of names The Writer The Photographer The Poet The Playwright The Filmmaker The Painter and central to the story The Girl Firstly if a majority of artists are so self involved and downright ridiculous I m glad I don t know many The few I do know couldn t be different Narcissism runs rampant well I guess they re in love with. Llions and a subject of obsession for one writer the photographer’s best friend who has suffered a devastating tragedy of her ownAs the writer plunges into a suicidal depression her filmmaker husband enlists several friends including a fearless bisexual poet and an ingenuous performance artist to save her by rescuing the unknown girl and bringing her to the United States And yet as their plot unfolds everything we know about the story comes into uestion What does the wr. The writing was good but I found all the characters extremely narcissistic "Except Maybe For The "maybe for the maker and the widow No names were provided for any people or places except America which is bashed along with most men through out the book As a non American I wasn t uite sure what to make of this every country has it s own problems I think To be fair I think that because I don t agree with the main message Art is important than love this probably colored my perception of the whole book Lastly I don t normally have a problem with sex
in books this was way too much for me I may ust be toobooks but this was too much for me I may Tips For Special Events Planners just be too for this author I need to find a small photo of Lidia Yuknavitch so I can worship it It is the little girl from Trang Bang a village north of Saigon running naked and screaming from pain and bombs and napalm Her name is Kim Phuc It is the electrifying stare of an Afghan teen her head wrapped in a blood red scarf her green eyes pulsing with anger and fear at the Soviet invasion that has decimated her home Her name is Sharbat GulaIt is the Sudanese child dying of starvation stalked by a vulture We don t know the child s name or what became of her The photojournalist took his own life two months later These captured moments are r I do love postmodernism when it is done right and it is done brilliantly here There isust something I adore about authors willing to play with genre with conventions and with style The first few chapters had me glued to the page and I knew I was reading something extraordinary I loved this a lot but the last uarter did not uite work for me Juxtaposing the horror of war in Eastern Europe with the uiet horror of grief of an US American writer Lidia Yuknavitch shows the whole range of human emotions in a way that is stylized than true to life but still feels completely real and honest Her short chapters read like short stories but still connect to a whole that is greater than its parts She made me gasp audibly choke back tears and suppress laughter she made me feel and she made me think I am not going to try to give a synopsis because this book s plot is nearly irrelevant as it takes the backseat to vignettes of human behaviour and of pure artThis book is beyond impressive and I am already excited to read other books written by Lidia Yuknavitch Sometimes you The Surprising Truth about Sales just know that an authors is bound to be a favourite and this was one of those cases for me She writes the kind of clever fiction that still has a human heart at its core that Iust adore beyond measure I would follow Lidia Yuknavitch anywhere Or at least that s what I thought when I started this phenomenal and bizarre trip through the maze of art love sex and violence It wasn t those topics that got me going it was the language Every sentence seemed to fit snugly and sharply into my psyche like my psyche had been waiting for these sentences all my life Her writing stirs me up makes me think caresses my soul elicits the visceral In some way I don t understand she was tapping into my subconscious I felt like a cult follower drinking the Kool Aid I was a puppy following her And I was delusional I thought she was telling me not to be scared to trust her I thought she was holding my hand as we walked into the darkness Suddenly she led me into a room where three women were doing grotesue and super disturbing SM stuff to each other There was no light and it was scary and gory and made me shiver and recoil gasp and grind my teeth I stayed of course I stayed because I believed Lidia would take care of me What I should have done is run my disgust and fear were so overwhelming It was Million-Dollar Maverick (Montana Mavericks: 20 Years in the Saddle! just one small chapter but stillOkay so it was time to re evaluate The amended version I will follow Lidia Yuknavitch anywhere except SM places That s okay Whereas my mind is dusky dark hers is pitch black I like soft she likes hard And she s telling me a thing or two She s not saying Come with me she s saying Look at this absorb it into your being Don t look at me I need you to look at the words and let them pull you in tight and loose Shut some of it out if you need to Follow where my words take you into the deep holes of your mind but make no mistake you re on your own baby She can still be my cult leader Iust have to exercise my. National BestsellerA masterful literary talent explores the treacherous often violent borders between war and sex love and art With the flash of a camera one girl’s life is shattered and a host of others altered forever In a war torn village in Eastern Europe an American photographer captures a heart stopping image a young girl flying toward the lens fleeing a fiery explosion that has engulfed her home and family The image wins acclaim and prizes becoming an icon for mi.